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“What works once, also works a second time!” This is not only first chapter of book, published as a random find and Bisherunbekanntes manuscript by Otfried Preußlers Children’s book Classics RäuberHotzenplotz. The set meets Auchgenau usual attempt of attention and revenue genesis of publishers. Successful and well-known is sent to repeat loops as long as possible, if necessary in law.
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The Millenium series of Rose Larsson, for example, continues to write after David Lagercrantz’s death, which DasPublikum hardly disturbs. And although Harry Potter saga is considered to be complete, a atrical adaptation of fabric in form of a ora-like tale of Bard is always shown again. The Istprinzipiell is not reprehensible, but is due to economic reasons on DerHand.
Trouble over label fraud
It is rar amusing to observe – fertility not only in this case – something else. At beginning of May, when Stuttgart Thienemann Verlag published robbery Hotzenplotz and Mondraketeankündigte, it struck a few delicate medial ripples as desired. Relatively quickly, however, it came out that text so undiscovered in turn even nichtwar. As a play he is already 1967 under a different title and 1969 in collection The Great Reader’s Digest Youth book 10 appeared. The ripple of indignation followed by post. Was anger label swindle that supposed discoverer of text, Preußlers daughter Susanne Preußler-Bitsch, and DerVerlag had operated? Or did he not move to a good extent from EigenenScham, once again to a marketing ploy to have gone to glue?
Let’s remember for a moment. The StruppigeRäuber, which enriches itself with a preference for foreign coffee mills, undSauerkraut sausages, is characterized above all by one thing: a really lovable gullible. Sometimes he is sold by Kasperl and Seppel eineKiste sand as a treasure chest filled with gold. In bandit Hotzenplotzund lunar rocket is a mixture of potato sack and cardboard tube, i.e. rocket, with which you can fly to moon according to Kasperl and Seppel, and which is of course completely made of silver. The robber is Feuerund flame and, of course, shortly reafter – sack over his head, rolled up in DiePappe, neatly tied up – tied up as a tame, all more fluchendes package that can be delivered at WachtmeisterDimpfelmoser. The literature business seems to have a surprising similarity to RäuberHotzenplotz in some respects.
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But basically, this is hinlänglichbekannt from three Preußler volumes published in Sixties and early 1970s, this capture is not so bad. A few days of arrest in syringe house, n Hotzenplotz can go back to sausage claw, meanwhile SichKasperl and Seppel to grandmor’s mushroom soup or schmausenPflaumenkuchen with whipped cream.
The undramatic, not Problematisierende was Debianasa Preußlers Hotzenplotz program. If you put up old volumes today, you will not only get a hefty nostalgia boost: You atmetauch liberated when you compare Hotzenplotz with or children’s books. No two pages can be read without pedagogical mace. Of course, pedagogically sensible, not culling as once in Struwelpeter, but in patiently facing tone, which we always strive for today’s Erziehungsberechtigtenuns.
