The hubris of criminal genius consists in believing that it can defeat chance. In idea that all human behavior could be calculated and anticipated. Sergio Marquina (Álvaro Morte) is such a genius. He wears altväterliche shirts, a hairstyle from Eighties, drives an antique seat and he has perfect plan for perfect crime: A group of thieves, killers and hackers is supposed to penetrate Spanish music printing company, take several hostages and so long Print money up to two billion euros. The biggest bank robbery in world history! In middle of house of money that gives this Spanish Thrillerserie ir title.
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For several days now, ir second season has been available on Netflix. The previous eight episodes were surprisingly under way at end of December 2017, in chaos of often very interchangeable new releases, which are now being met on website. This is a little unfortunate: Álex Pinas series is worth watching over, which is mainly due to crooks with whom one gets to do it. There is Denver, a rowdy of musical-like overdrawn dullness, childish hacker Rio, bull neck for coarse named Helsinki and Oslo, chatty Nairobi, good-natured safe expert Moscow, demonic eloquent beberlin and sanguine Murderer in Tokyo, who rages through life with no rage, while Sergio controls all her fortunes from outside.
The Spanish financial system is being robbed here
The House of Money belongs in series of heist stories, i.e. Panzerknackererzählungen, which essentially live on fact that viewer marvels at criminal magic tricks and asks himself: Well, do you manage it or don’t you make it? Álex Pina succeeds in re-combining many of classical elements of genre and making a small homage to some ors; Usually, victim of robbery must be morally discredited from beginning, so that viewer’s sympathy is with robbers alone. In famous Oceans Eleven series, for example, robbed are always greasy batches that are led by charming and smart master thieves behind light. In House of Money no person is robbed, but whole Spanish financial system, which mastermind Sergio thinks is corrupt and by no way burglar-proof. It is better, he says in one episode, that money would be returned directly to economy, instead of being virtually saved by any banks.
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These are reflections that this series is spreading by way, but y are mere inclusive, perhaps, so that one cannot be completely uncritically carried away by excellent choreographed shootings, amorous entanglements, and numerous Deceptions with which Sergio Marquina investigation of police hintertreibt, especially work of incessantly overstretched Inspector Rachel Murillo (Itziar Ituño). and similar to his main character, screenwriter Pina elaborated his plot down to smallest and in many episodes condensed it into a feverish chamber game, which gains its charm above all from internal tensions between figures.
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At first glance, he may have set up his staff based on genres, but almost every character gradually transcends boundaries of his own cliché, while walls of bank seem to be getting closer and ceilings are always Continue down like a coffin lid to lower master burglar. That last unpredictable and thus most egregious incident is love, may be profaned incursion of all, but it leads in both seasons to scenes between Álvaro Morte and Itziar Ituño, in which criminal genius and Commissioner against each or Play, full of attraction, mistrust, despair and manipulation. These moments are among strongest in series, as well as those that put death-addicted Berlin into picture, which soon establishes its own horror regime within gang.
All are imprisoned, not only bank employees are hostages of robbers, even thieves and policemen are hostages of ir dreams and spinners, ir weaknesses, ir past, ir lapsed life, ir notions of good and evil, which soon become considerably Vary. This is sometimes a little sentimental in whole, a little cartoonesk and sometimes of telenovelahafter drama. But everything with a good sense of timing and spectacle, so that series did not have to be thundered with ir capitalism-critical volts in order to bring a 15 episodes out of breath.
Both seasons of “House of Money” are available on Netflix.
