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To tell in capitalism living from capitalism is to look in mirror – and to discover a caricature. A figure WieMaria Voss in Bremen crime scene: Back into Light (RB-Editorial: Annette Strelow), which is bread by Nadeshda Brennicke borderline film.
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Maria Voss is kinda crazy about it. At night she travels mitInlineskates through city, and during day she is with Selbstoptimierungbeschäftigt. She is standing in front of people and skin These “you can Esschaffen” cheers to self, for which people buy books vonSteve jobs or empty whole guidebook literature Shelf.
Matthias Dell has been writing 2010 weekly on “Tatort” and “Polizeiruf 110”. On time online now in column “The autopsy report”. (copyright) Daniel Seiffert
Maria Voss steals expensive clos and tinkers ihrenSelbstentwurf with photos of or people. She has no graduation undhofft yet on great job (“This is a position that has never had NeFrau”), but she does not get it because not only Betrachtersofort realizes that something is wrong with her. Maria Voss takes this with performance in performance company seriously, every problem is for a challenge, even self-induced car accident has sieüberlebt (“I am risen from dead, what should I Nochfürchten?”), running again learned (” Incredible will, focusing “). But all se skills don’t seem to bring her anything.
Their trick is short-term, fraudulent growth (dasdeutet back to light rar than to execute it), Waseigentlich could be a pretty metaphor on capitalism. Neverless, one does not kommtaber idea of discovering in Maria Voss a symbol about Unsereranständigen German automobile industry with its innovativenAbgasbetrugstechnologien, because this woman is too far out of way: a wisp, a figure that is on Horrified head schüttelndes Compassion is created because she will never Reihekriegen her life as a career woman and mor.
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Therefore it is only logical that Voss will be punished at end as Täterinmit murder, which Aunt Lürsen (Sabine Postel) and Stedefreund (Oliver Mommsen) must enlighten in this crime scene (screenplay: Christian Jeltsch, Olaf Kraemer). A colleague is dead, who gedrohthatte Voss to finish m (so everywhere admit, what a Blenderinsie is). This is package leaflet with risks and side effects: WENNIHR, dear children, make it so exaggerated, as it should be said at this part, n you blame yourselves. But even n.
Back to light (director: Florian Baxmeyer) is a rar strange film; The second corpse, which Maria Voss produces, dies bleeding under shower, a death that gereichenwürde to honor every B-movie. So it may be that in a few years, when story has gone on this whimsical crime scene and if you see it again in late program of a third program, perhaps something is discovered, relation crude and eclectic makes more sense, than it is today.
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Because a little bit of this crime scene like his main character, he would like something better. A zipping film, in which DynamischenErmittler so Zack, Zack casual dialogues throw at head. “Think you what,” says Stedefreund in departure to a woman who wants to know why her husband was summoned.
