From series: The autopsy report “Tatort” Frankfurt: A Home for war children The Haunted Castle in Frankfurt: “crime scene” dares excursion into horror genre. By Matthias Dell October 29, 2017, 21:46 Uhr2 comments Skeletons grasp for you: The House of Commissioner Paul Brix (Wolfram Koch) and Fanny (Zazie de Paris) © HR/Benjamin Dernbecher Content
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After recovery by wasteland, which BremerKarriere crime scene last week, it goes in NeuenFrankfurter episode (HR-Editorial: Jörg Himstedt, Liane Jessen) immediately again indie roller coaster of experimentation, even if that is perhaps a argknalliges image For possibilities of ARD-Sunday evening Thrillis. After this case it seems quite conceivable, in any case, that some viewer again yearns for Bräsigkeit, about which at example of Bremen just Geschimpftwurde.
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Fearing you will vary legendary DeutscheFernsehreihe into genre of horror film, with Deutscheund television series already feeling that title does not conceal anything. Editorial team: So that protection of minors does not come on silly thoughts and whole box even furr complains, we write Triggerwarnung in following name. Let no one say that we have not said it loudly and clearly.
Matthias Dell has been writing 2010 weekly on “Tatort” and “Polizeiruf 110”. On time online now in column “The autopsy report”. (copyright) Daniel Seiffert
The case takes place in House of Commissioner “Brixi” Brix (Tungsten Koch), which in its faded splendor offers to be haunted by Untotenund-hanging specter. Just as roommate Fanny (Zazie de Paris) in her radiant Queerness given SolcherTransgressionserfahrungen much stronger to her right than by KurzenTeekochen for any survivors parked in house. Fanny has this as much screen as in any episode before, while precinct (BrunoCathomas as new boss, Isaac Dentler as assistant Jonas) gets granted Eherpflichtschuldig mini-performances.
Horror is only superficially or in Seinenepigonalen variants a genre that spectator with horror and Krassheitattackiert. In essence, it is always a question of finding exaggerated images for eineun past. In fear you will eingeschlepptvon an old man, Otto Close ( great Axel Werner), who in DerAnfangsszene to Brixi-house. The camera (Benjamin Dernbecher) is at reception of figure at gate queasy, probably also to malanzudeuten that so-called realism today unfortunately has to remain out.
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Closing wants to put house on fire, but is Vonskelettösen hands back into front yard. In addition, whole range of starter kit for horror films is running: Escalating music, in wind schlagendeFlügeltüren, foliage and light flicker. The old man survives, but makes Denentscheidenden link into past, from whose elucidation dieserFrankfurter crime scene derives his work order: it wirdtatsächlich a case of 1956 determined how Brixi informs boss in a Hübschtrockenen scene.
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The investigating corpse, which is one of wenigenKonstanten of crime scene, would be in fact DasMädchenskelett from attic. This was since time when Brixi estate was EinWaisenhaus-headed by close-mor, who drank after a children’s string (” children had told her that Otto had gone into water.”); Otto had to avenge himself, stealing her most precious things from children and murdering girl.
