From series: The autopsy report “Tatort” Frankfurt: Mine is called scoundrel everything is bright and yellow: Frankfurter “Tatort” wants to look at capitalism in face, but comes n Beyond manager caricatures and half-baked pathologies. By Matthias Dell April 8th, 2018, 21:48 UHR5 comments Two favorite characters of “crime scene”: The Evil Capitalist (Golo Euler, left) and Altkluge Child (Yuri Winkler). © HR/Bettina Müller
Sometimes it’s not easy, eir. If you example trouble to think about what happened at Frankfurt crime scene: Among Warriors (HR editor: Liane Jessen, Lili Kobbe) has gone wrong, wher screenplay (Volker Rauch) by director (Hermine Huntgeburth) may not have been understood or, Conversely, directed by a meager screenplay bestthing has tried to make – n it finds in this internet hint that smoke and Huntgeburth have been working toger for years. Two years ago even at a Frankfurt crime scene.
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And that’s not what you do when you don’t understand. Which makes things seem more complicated, because it is noticeable that dassdieser crime scene wants something. Manaber is interested in question of what he wants to chew much longer than in course film becoming increasingly uninteresting killer search.
This also has to do with fact that film begins with Fosco Carridi (Bruno Cathomas), which, unfortunately, one has to say so hard, Ziemlichunwichtigen chief of Grand Brix (Wolfram Koch) and Janneke (Margarita Broich). On his way to work he gets a nasty sap in front of Deetz of a contemporary who is eherunterqualifiziert in aggression management of everyday life. Fosco n DemÜbertäter wasted space with a top phantom image. But at latest, when Janneke sees him for first time Andnot, it is suspected that rapscallion is lifted for framework action, i.e. DenSchluss.
Matthias Dell has been writing “Tatort” and “Polizeiruf 110” Every week since 2010. On time online now in column “The autopsy report”. (copyright) Daniel Seiffert
This is boring, especially it takes precious time vomLeichenfund away, which stands at beginning of every ARD-Sunday night crime investigation. Ratzfatz n puts a boy dead in boiler room einesSportleistungszentrums, whose role film has to laboriously reconstruct. Empathy is certainly not all in movie, but it would be easier if you knew something more about corpse than re is.
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The young Dynamo Joachim Voss (GoloEuler), who has great ambitions (IOC), is suspicious of main occupation of Inhigh-end corporate management (“Always remain a winder”) Undehrenamtlich in competitive sports. He lives in an absurdly ugly Hausund living in a completely unclear relationship with feeling of Altklügsten KindFelix (Yuri Winkler), who feels secure in fur of horse’s neck, and who has seen crime scene Geschichteje. Which, after talented colleague of last week, is quite an art.
The spectator is exposed to this activity throughout film. In between, Fanny searches for Brixi and after a NeuenWohnung (at last time, horror crime scene, wedded common home went yes in flames) and it recommend Sichandere, unfortunately pretty bland candidate motivvage for deed: DerResozialisierungshelfer Waldner ( Marek Harloff) and ResozialisierteHausmeister Brunner (if you hadn’t thought that post-SeinemAusstieg as a Dortmund commissioner will be obliged to follow up as soon as possible: StefanKonarske).
It is quite unpleasant how in film is dealt with idea of resocialization – that is, against work of Mr Waldner, which at same time is described only so roughly that one can imagine everything possible under it.
The side effects of performance pressure
Everything is bright and yellow, and of course re are a thousand ways to tell a movie away from so-called realism. This crime scene chooses none; He genügtsich in a slight overturn, which belongs to equip figures with half-baked pathologies.
Wahrscheinlichsoll among Warriors (already in title, which does not help you, is whole misery of this episode) of Nebenwirkungendes pressure to act for our lives. But as so often when EinFernsehfilm wants to look at capitalism in face, vornhereindepperte figures like Joachim Voss come out: Manager caricatures at DerRudermaschine. That would be something, a film about circumstances in which we live.
Three “crime scene” sentences for real life three “crime scene” sentences for real life
A phrase that makes colleagues friends: “This club is a tough performance-oriented one.” A hint that you can come to Mansplainern: “This is pedagogically counterproductive.” An information with which it can be succeed on standing parties: “Gastro-intestinal”
