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1927 is an important year for DeutscheLiteratur. Not only Martin Walser and Günter Grass wurden1927 born, but also Ludwig Harig. However, in Fifties, unlike Walser and grass, he acted far away from group 47 and also at an even greater distance from prevailing literature business. The native of Saarland began as a language experimenter. His ear was directed to France, he hierfand playful, open forms that also influenced his literature at first. The result was a versatile work – Experimental radio plays, poems, travelogues, literary collages and autobiographical Romane.In 1980s, Harig again approached TraditionellerenErzählformen.
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Ludwig Harig’s LiterarischeSelbsterkundungen, his journeys into past, childhood and youth, are educational novels according to classical educational novel – critically and highly reflected. For thirty years Harig worked as a narrator with Seinemeigenen life: By no means a naïve memoir writer, but as a gewiefterFabulier and montage artist. From his far, his family and Derkleinbürgerlichen origin in Saarland told Harig in novel Order is realising union’spotential life from year 1986; In woe to man who dances out of line, 1990erschienen, Nazi era, Hitler young Harig and Verstrickungendes young people were focus of ideology of Third Reich.
The poetic yearning
Undschließlich portrayed Harig in who howls with wolves, Wolf becomes as Erzum teacher, but above all became a writer. The last Seinerautobiografischen tales, “true novel” Kalahari, had come out on 18th of July 2007. Kalahari is story of EinerFreundschaft to Frenchman Roland Cazet, who met Harig 1949 during his Zeitals student in Lyon. And he remained connected to time of his life, in which he was intellectually rubbed. His own development as author Spiegeltesich in peer friend.
Kalahari tells about two individuals rapprochement between Germany and France after 1945und is also a developmental novel. The title describes wanderlust of friend Roland Cazet – and poetic yearning of Icherzählers.
Experimental radio plays
Harig portrays his stories in beautiful bows, rambling; Almost a little awkward, umwegig, humorous unddetailgetreu he delves into his milieus and stretches formalenBegrenziten of educational novel. In later books one could also feel HarigsHerkunft as a language player and experimenter in spirit of Fifties. At that time Harig was a good follower of Stuttgart school around Max Bense, and philosopher and orist of concrete poetry should once have to Hariggesagt: “Ludwig, leave narrative!” Luckily he didn’t daraufgehört. The telling of one’s own world of life was already re from beginning AlsMöglichkeit of world record.
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Ludwig Harig has gone to Anfangdarum to grasp reality with almost natural scientific Präzisionsprachlich – while at same time opening up new facets to traditional, also through lingua Tertii imperii VerdorbenenSprache. Experimental radio plays were created, Harigverwandelte – as well as Ror Wolf – to LiterarischenSpielereien football matches, he arranged a collage from Rousseau’s life and believed Frühan world’s creative power of language. “I’m actually quite, Ganztief convinced that only what is being told has been available. What is not told and what cannot be told is KeineRealität. “
