A queer political silence has marked American pop of past year, first year after election of Donald Trump. According to multitude of major political albums released in 2016, for example from a Tribe Called Quest, by Beyoncé and as long as Knowles, signs 2017 seemed to be more of a reflection and a retreat, especially in hip-hop and R ‘ n ‘ B.
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In interviews, many – especially African-American – artists talked about ir anger and despair in face of resurgence of racism. But in a musical way rage erupted only in underground, in young Afropunk groups such as Algiers or Ho99o9 or with dedicated soul singers such as Jamila Woods. The masses of inspiring pop stars, on or hand, were oddly covered: even Kendrick Lamar, who was still demonstratively at top of black-lives-matter movement during his performance at Grammy Award 2016, crept up on His album damn. Last April in non-binding spiritual harmony.
All more astonishing is agitational Furor, which Pharrell Williams is now regrouping on new album of his band Project N. E. R. D: The man rappt, especially known as composer of world’s most popular company celebration song Happy, here ” Assembling a riot/No more trail of tears. In piece 1000, dry trap beats pop, while in video angry demonstrators beat up fleeing Nazis and burn sourn flags. Also, re is president with swastika arms to see and a short sample of old Californian punk rock heroes Dead Kennedys – Nazi Redneck assholes fuck off! – and fantastic dancer Mette Towley leads with short shaven hair and in a red Camouflagedress is a militant formation choreography, similar to spectacular Black Panr memory dance that Beyoncé Knowles staged at Superbowl two years ago. The fight goes on!
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Also orwise No_One ever really this has become a remarkable and very good album. Which is by no means self-evident. Indeed, Williams and his companion Chad Hugo were among most influential producers of zero years under name of neptunees: even under plain knitted Britney Spears numbers, thanks to ir help, unravelling syncope and verschrobensten sounds rolled away, Composed of tabla sounds, Metallschrottgedengel and indefinable sound found of all kinds. In parallel, however, in ir band Project N. E. R. D They used a rar undecided mixture of “black” funk and “white” Powerrock traditions, from George Clinton and AC/DC – including a vaguely connected to Afrofuturistische tradition of Sun Ra Star Trek symbolism.
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No_One ever really this, first N. E. R. D album since especially meaningless nothing of 2010, has little to do with it. Rar it looks like anor solo album by Pharrell Williams, with which he joins fabulous, reminiscent of early Prince G I R L from year 2014. The songs are electronically embossed, phonetically as minimalist as y are original and consistently invite you to shake your butt and hips.
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That starts with competently constructed clicker-di-clack-minimalism, to which Rihanna in first single lemon has her most casual rap appearance for a long time, and moves about relaxed jazz-hop piece don’t don’t do it up to dub-reggae lifting you, not Time – and that alone is a musical achievement – guest singer Ed Sheeran can seriously mess.
A collection of protest songs is No_One ever really this in end though not, but also in pieces without a clear political message, defiant-animated self-assurance resonates that one must not give up even in darkest times, and above all: that all Those who are good will, cannot be brought apart by Trump and his minions. On YouTube you can see new videos every day, in which teenagers of different skin colours toger dance current N. E. R. D-Choreographies.
