ABC Television network is collecting about $2 million for each 30-second advertising spot in the upcoming 89th Academy Awards broadcast — a healthy boost over last year’s prices.

Burbank-based ABC, a unit of Walt Disney Co., announced Friday that it had sold all its commercial inventory for the Feb. 26 awards gala at the Dolby Theatre in Hollywood. The program will be hosted by ABC comedian Jimmy Kimmel.

Last year, the show was mired in controversy because of the lack of diversity among the award nominees. In 2016, ABC sold its ad inventory for an average of $1.72 million per 30 second spot, according to a survey of advertising buyers by Kantar Media, which tracks spending.

Kenneth Turan and Justin Chang chat about the 2017 Academy Awards, and which movie might win for best picture.

Kenneth Turan and Justin Chang chat about the 2017 Academy Awards, and which movie might win for best picture.

Various factors could account for the increase in ad spending this year, including fundamental changes in the advertising market.

ABC’s rate increase comes as advertisers scramble to buy time in shows that will be watched live, which is becoming increasingly important at a time when consumers actively seek out ways to  avoid commercials.

Additionally, clouds over the Oscar telecast lifted last month when the Academy of Motion Picture Arts and Sciences voted for a diverse slate of nominees for this year’s show. But there is a potential for another Oscar flap because of highly charged emotions in Hollywood over the election of President Trump.

“We will have diversity of a different kind this year: The conversation won’t be about racial diversity but diversity of political points of view,” said Jon Swallen, chief research officer for Kantar Media.

Political themes punctuated last Sunday’s Grammys music award show on CBS. At the Golden Globes award ceremony on NBC in January, actress Meryl Streep sparked the ire of Trump when she used her acceptance speech to skewer Trump’s conduct, particularly when he mocked a disabled reporter while on the campaign trail.

Some Oscar advertisers, who bought their spots months ago, might be bracing for a furor over politics, particularly if conservatives decide to tune out. But if the Grammys were any indication, this year’s Oscar ratings could be higher than last year when the Academy Awards broadcast attracted 34.4 million viewers, an eight-year low.

“Trump has been very good for television,” said Ashwin Navin, chief executive of Samba TV, a data and analytics firm. “The politically charged environment has been good for television, including these award shows.”

Samba TV analyzed the audience for the Grammys and found that about half the 26 million viewers who tuned in didn’t watch the show last year. Navin said the new audience largely came from younger viewers.

“There is a replacement of the audience going on, and this new base of viewers is paying attention to these issues,” Navin said. “People really care about what Meryl Streep says.”

ABC advertising executives were not available for comment.

The network sold the bulk of its Oscars ad time in the fourth quarter of last year and early January, according to a person familiar with the ad sales who was not authorized to speak publicly. Many of the advertisers who bought time in the show made their decision last fall — before the November elections.

“The ad time is sold so far in advance, often long before these topical issues come up,” Swallen said.

But the prospect of political acceptance speeches didn’t seem to dampen ad sales. In recent weeks, as the ad inventory grew scarce, ABC sold its last few spots for as much as $2.5 million, the knowledgeable person said.

Numerous repeat advertisers will make an appearance this year, including American Express, McDonalds, General Motors, Samsung, Revlon, GEICO and AARP. 

For advertisers, the Oscars attract a particularly affluent audience — which is catnip for marketers who hope the glamour of the program will rub off on their products.

“It’s the largest audience relative to any other entertainment program with the exception of sports,” Swallen said. “It’s a large audience, a live audience and an affluent one — and those are the things that really drive pricing.”

Women tune in to see the celebrities and the fashion.  It also helps that ABC and the academy have developed Oscar programming for the second-screen as many viewers want to follow the conversation on social media while they are watching the live broadcast.

In 2016, ABC generated about $115 million in revenue for the award show and the red carpet program that proceeded it, according to Kantar Media.  That was down from 2015, when ABC raked in nearly $125 million from advertising sales.

The money is important because it represents the largest source of revenue for the Beverly Hills based academy, which has worked hard in recent years to add younger and more diverse members to the group.  The academy separately receives money for the international distribution for the show, which another unit of Disney handles.

And even if the jokes and acceptance speeches get political, that might not be a turnoff for a large swath of the audience. “The audience for the show skews much more from urban areas,” Swallen said.

That means that much of the viewership comes from metropolitan regions that leaned more toward Hillary Clinton than Trump.

Kenneth Turan and Justin Chang chat about the 2017 Academy Awards, and which movie might win for best picture.

Kenneth Turan and Justin Chang chat about the 2017 Academy Awards, and which movie might win for best picture.

Kenneth Turan and Justin Chang chat about the 2017 Academy Awards, and which movie might win for best picture.

Kenneth Turan and Justin Chang chat about the 2017 Academy Awards, and which movie might win for best picture.

This is what the Governors Ball will look like after the 89th Academy Awards ceremony.

This is what the Governors Ball will look like after the 89th Academy Awards ceremony.

Highlights from the 2017 Grammy Awards at the Staples Center.

Highlights from the 2017 Grammy Awards at the Staples Center.

Kyle Dixon and Michael Stein nominee for Best Score Soundtrack For Visual Media

Kyle Dixon and Michael Stein nominee for Best Score Soundtrack For Visual Media

Adele tearfully thanked Beyonce while accepting her album of the year award for "25."

Adele tearfully thanked Beyonce while accepting her album of the year award for “25.”

meg.james@latimes.com

@MegJamesLAT

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