From series: The autopsy report “Tatort”-Hamburg: The Antifa and we are visibly striving for realism, Hamburg “crime scene” negotiates an attack on rights reactionary. Only: What does realism mean in a TV crime? By Matthias Dell December 17, 2017, 21:47 Uhr3 comments The investigators Falke (Wotan Wilke carroting) and grozs (Franziska Weisz) (copyright) NDR/Marion von The Mehden Content

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    In ir smash hit Hi Freaks from year 2002singt popular German Popformation Tocotronic among or things: “We see, nothing means/ so-called realism/Does not fall furr InsGewicht”. Poetic lines, certainly with which, of course, re would be no state in crime scene among many spectators and commentators.

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    In addition to Unterhaltsamkeitdas, so-called realism is probably most popular criterion for judging DesARD-Sunday evening crime. If one would not have to say: expectation or perhaps even demand for film, which ritualized transition between Wochenendeund weeks beginning.

    Matthias Dell has been writing for 2010 weekly about “Tatort” and “Polizeiruf 110”. On time online now in column “The autopsy report”. (copyright) Daniel Seiffert

    In this case “realism” is naturally einehöchstproblematische category, in order to get films on prowl, to derenFamilie crime scene still belongs anyway – also wennseine unique form shares of talk show discussion and Day show Aktualitätenthält. Alone, that almost every murder case can be enlightened on television, ‘s for example, totally “unrealistic”.

    To make matters worse, “realistic” in our filter bubble world, in which public speeches of RechtenDebattenfeindengetrollt is being published, illustrates Schmallippigkeit of one’s own ignorance (if not: hatred). “Realistic” is n in films everything that confirms one’s worldview.

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    In this second sense, crime scene: Dark Season (NDR Editor: Donald Kraemer) The “realism”-Aficionadosvor a problem. The ARD-Sunday evening thriller with Falcon (we had only had: Wotan Wilke carroting) and Grosz (Franziska Weisz) tried AlsAfD paraphrase. Anja Kling as – no resemblance to real characters – Nina Schramm, leading figure of a fictitious reactionary party called “new patriots”, is on brink of death threats. Dannallerdings her husband Richard (Udo Schenk) is killed by car bomb. The suspected complicity spreads between power-struggling leadership circle of DerPartei and associated online media ( best joke of film: presumed Internet show Jane-Austen-detention “Pride and Prejudice”) as well as a group of apparent Fascists.

    1,000 episodes “Tatort” 1,000 episodes “Crime scene”

    All time online reviews, Time magazine critics mirrors, map stories and analysis on Sunday night thriller can be found on our me page to 1,000 episodes crime scene.

    The problem for “realism”-Schnappatmerbesteht now is that, on one hand, it is “realistic” in ir sense, that with Nina Schramm “finally says” Smal a “-text is spoken from TV-for example in a genaudafür thought-out dialogue with Falke. On or hand, final, well, Clou can hardly taste – alleged Antifa consists of right supporters, who have perpetrated assassination as agents Provocateurs.

    At first level of “realism” (is real life also so?) can be thought here at least in case of right-extremist Bundeswehr soldier Franco A., who is currently accused of preparing EinesTerroranschlags – whom he commit as an alleged fugitive Wanted.