Thanks to Pinterest boards and Instagram hashtags, the word “authentic” has passed from buzzword into the realm of parody: think Portlandia-style farm-to-table spreads, mountain-top selfies and any fashion shoot set in Joshua Tree. But in Mark Sundeen’s “The Unsettlers: In Search of the Good Life in Today’s America” (Riverhead, $26), three American families ditch modern comforts and convenience — including, in some cases, supermarkets, cars and even electricity — to define authentic living for themselves. For “the Luddite-curious,” “The Unsettlers” offers an in-depth and compelling account of diverse Americans living off the grid. In each of the book’s three sections — Missouri, Detroit, and Montana — these homesteaders show us how the other other half lives. 

Sundeen, who will appear at Skylight Books on Feb. 12. at 5 p.m., received my call in Moab, Utah, where he owns a piece of land. He’s something of an unsettler himself: “Currently I have a trailer and no house.” Our conversation has been edited for length and clarity. 

You begin with Ethan Hughes and Sarah Wilcox, a young couple who created an intentional living community in Missouri. What made you want to write about them? 

They’re very hard to find — they don’t have a website, they don’t have any social media, they’ve never had any major news coverage. I’d decided that just living off the grid was no longer true dissent. I was curious to hear from people who could go all the way —  stop using cars, stop using the banking system.

Starting an intentional living community that forgoes cars, cash and electricity feels pretty radical, and yet you note a number of similarities that Hughes and Wilcox share with libertarians and right-wing Christians, some of whom are their neighbors. Was this common ground surprising to you?

Totally surprising…and totally inspiring. I was just so impressed that they were able to find that common ground. That’s something that I think’s important now that Trump is president. The divisiveness that he engenders, it pits people against each other who actually have the same values. Liberals and conservatives both want to live with moral integrity, but they have separate names for that. The right says, “We want to have Christian values, family values,” and that’s interpreted as anti-other religions or anti-single parents or anti-same-sex couples. Liberals say, “We want to end racism, we want to end bigotry, and we want to save the planet,” and that’s another way of living with integrity. I think there’s a lot more commonality than we tend to think.

In the Detroit section, you introduce us to Olivia Hubert, who is African American, and her husband, Greg Willerer, who re-envision their corner of Detroit as an urban farm. How did you decide to investigate this family?

When I set out to write this book, I assumed it was only going to be about white people in rural America, and I was bored with that narrative. I wanted to see if there were African Americans who were living by these back-to-the-land type values.  

At one point, while discussing urban farming, you mention First Lady Michelle Obama’s White House vegetable garden, which made me think of the idea of the First Family as a reflection of the American family — the First Family as a family to aspire to. Do you think that will change during the current administration?

It’s a little too soon to say. My prediction is that there’s going to be a lot of people looking for ways to live in resistance to this government. When I was writing the book, I thought people might think that my families were Chicken Littles, like, “Oh, it’s not so bad, we don’t actually live in a Petrostate.” And now I think that they seem prophetic. Going back to the land or growing your own food isn’t the first thing that comes to people’s mind – at this point it’s more like protest, and calls to your congressman – but the connection between radical simplicity and direct action is there. Being a full-time activist is a burn-out job – the frustration, the anger, the anxiety, the travel. What people like Ethan and Sarah figured out was how to incorporate activism but also find a kind of peace. It’s emotionally sustainable. Activism never ends, and if you want to do it for your whole life, you have to start rearranging your consumption and getting your inner house in order.

In the book’s final section, you tell the story of Steve Elliott and Luci Brieger, who begin their lives together in a tepee in Montana and maintain a commitment to back-to-the-land living for more than three decades. What drew you to them?

The first two families left me with the thought of “Well, sure, they’re doing this with young kids, but once those kids get older they’re going to have to compromise.” But Steve and Luci had been doing this for 35 years, and they’d proven that you could stay true to this radical vision but also succeed by more conventional standards: They own land, they own a house, and their kids are going to college. 

A student of the Possibility Alliance in Minnesota calls their way of life “practicing right livelihood in the belly of the empire.” After the experience of writing “The Unsettlers,” how would you describe “right livelihood” now?

I used to have this feeling like, “Oh, If I’m not farming, then I’m so bourgeois,” which may be true! But I’ve accepted that writing is what I love, and that it actually may do more good in the world than growing my own food. But I do other, difficult work that I also love, and that includes some gardening, some building. The last element is about being married, and I talk a lot about that in the book: realizing that I was embracing certain limits, and discovering that there’s a deeper kind of abundance by doing so.

Apart from the narratives of your subjects, there’s a thread in the book that investigates struggling with your own ambition as a writer. Can you talk about the decision to include that subplot?

I didn’t summon the courage to put that in the book until the very last revision. In a lot of books about environmentalism or sustainability, there’s this implied virtue. There’s a million of these books: “I went for a year without doing X.” “People who use this thing are bad, but I’m now good.” What I realized in the writing of this book is that it’s easy for me to be virtuous when it comes to not wanting a lot of money or a big house or a big car, because I’ve never wanted those things, but I, like everyone else, have infinite appetites. For me, it turned out those appetites were for acclaim and fame and attention. I didn’t want to be preachy and self-righteous, so I felt I had to put that in the book.

You proclaim that “the confines of a cubicle is one of the defining conundrums of our age, along with wolfing a sack of potato chips while watching “Top Chef.” At times, while reading, I felt like a voyeur, devouring passages about tilling the land from the sterile remove of my office. Is there a danger to that kind of remove? Should I feel guilty about that?

I wanted this to be a page turner, something that someone who has zero interest in this stuff could buy in an airport, and get to the end. Even if they don’t change a thing, but are introduced to Wendell Berry and Gandhi and black food justice, that’s huge. Just bringing these ideas into mainstream discourse seems like a pretty big victory.

The book isn’t prescriptive — this isn’t a how-to, and you never once suggest that the reader should renounce her worldly possessions and head back to the farm — but if you aren’t intending to change hearts and minds with this story, are you still, in some way, hoping to influence them?

I’d specifically like the well-intentioned liberal to ask questions about their consumption and not just about their political stance. People say, “I’m going minimalist, I’m going to get rid of all my books and CDs and records and just use a smartphone.” Well, OK, I’m glad that your house is less cluttered, but you’re actually using more fossil fuels and doing more harm with that smartphone than you would with a whole library of books.

Each family’s commitment to the good life is inspiring… and intimidating. As you say in the book, “pulling a small thread — asking where your tomatoes or your drinking water comes from – causes the whole system to unravel.” For those of us who are inspired to make a change, where do we begin?

I don’t think you begin by depriving yourself of things you love. On the one hand, this book is about the ethical boycott of destructive industries, but on the other hand it’s about following your heart and finding meaningful work. When you do work that you love, a lot of these needs tend to fall away. I don’t say this in the book, but my personal feeling is that much of our waste and consumption happens because people are doing work that they don’t like or they feel ethically compromised by, and they’re doing it for most of their waking hours. Of course they’re going to need a nicer car, or an expensive vacation or drugs or a sense of retreat or therapies, because they’re unhappy.

Are there local organizations that inspired L.A. readers should investigate?

There’s at least three: the Los Angeles Eco-village; the Urban Homestead; and Root Simple, run by Kelly Coyne and Erik Knutzen. 

Jade Chang’s debut novel, "The Wangs Vs. The World," hit bestseller lists last fall. We catch up with the Angeleno to find out how her life has changed.

Jade Chang’s debut novel, “The Wangs Vs. The World,” hit bestseller lists last fall. We catch up with the Angeleno to find out how her life has changed.

Jade Chang’s debut novel, "The Wangs Vs. The World," hit bestseller lists last fall. We catch up with the Angeleno to find out how her life has changed.

Jade Chang’s debut novel, “The Wangs Vs. The World,” hit bestseller lists last fall. We catch up with the Angeleno to find out how her life has changed.

Deyan Audio Services brings audiobooks to life in the Valley with help of ace actors, narrators.

Deyan Audio Services brings audiobooks to life in the Valley with help of ace actors, narrators.

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Children’s author Jon Klassen talks about the creative process when it comes to words and pictures for kids at his studio in downtown L.A.

Los Angeles Poet Laureate Luis J. Rodriguez reads an excerpt of his poem "A Love Poem to Los Angeles" on the Patt Morrison Asks podcast. 

Los Angeles Poet Laureate Luis J. Rodriguez reads an excerpt of his poem “A Love Poem to Los Angeles” on the Patt Morrison Asks podcast. 

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Carrie Brownstein talks with Times writer Lorraine Ali about her creative expression in Sleater-Kinney and Portlandia at the Festival of Books at USC.

agatha.french@latimes.com

@agathafrenchy

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